Digital technology allows us to share visual imaginations in a vivid and realistic way and keeps pushing the boundary of storytelling. While working in R&D team at Rhythm & Hues Studios, I had opportunities to push the boundary further for the Hollywood major feature films such as Life of PI which won the Academy award in Visual effects in 2013.
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Life of PI, 20th Century FOX, 2012 Contribution: Fast hair shadow, Instancing, Subsurface Scattering
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Big Miracle, Universal Pictures, 2012 Contribution: Volume Rendering, Particle Rendering
![](https://static.wixstatic.com/media/705243_006e42f3f3044649a92794ba2211f6d8.jpg/v1/fill/w_600,h_417,al_c,q_80,enc_auto/705243_006e42f3f3044649a92794ba2211f6d8.jpg)
X-Men: First Class, 20th Century Fox, 2011 Contribution: Light Path Expression
![](https://static.wixstatic.com/media/705243_db33e0fb6e014997b1e29cb0306dfcd2.jpg/v1/fill/w_550,h_326,al_c,q_80,enc_auto/705243_db33e0fb6e014997b1e29cb0306dfcd2.jpg)
Hop, Universal Pictures, 2011 Contribution: Instancing
![](https://static.wixstatic.com/media/705243_2a41cae48e9b412bad2d2f552b90557d.jpg/v1/fill/w_980,h_613,al_c,q_85,usm_0.66_1.00_0.01,enc_auto/705243_2a41cae48e9b412bad2d2f552b90557d.jpg)
Yogi Bear, Warner Bros, 2010 Contribution: Fast Stereoscopic Rendering
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The A-Team, 20th Century Fox, 2010 Contribution: Programmable Shader
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Night at the Museum II, 20th Century Fox, 2009 Contribution: Fast Subsurface Scattering
![](https://static.wixstatic.com/media/705243_b90884a88da749a7a4700db0a0128048.png/v1/fill/w_614,h_463,al_c,q_85,enc_auto/705243_b90884a88da749a7a4700db0a0128048.png)
Alvin and the Chipmunks 2, 20th Century Fox, 2009 Contribution: Multi-core Rendering
![](https://static.wixstatic.com/media/705243_88c90759a591436885a0b02ed048cd82.jpg/v1/fill/w_680,h_391,al_c,q_80,enc_auto/705243_88c90759a591436885a0b02ed048cd82.jpg)
Mummy 3, Universal Pictures, 2008 Contribution: Front-end Architecture Overhaul for In-house Renderer
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